We are makers of our own myths, but the more we live into them, the more we risk becoming their captives.
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We are makers of our own myths, but the more we live into them, the more we risk becoming their captives.
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Every creator’s creations are their coping mechanism for life — for the loneliness of being, for the longing for connection, for the dazzling incomprehension of what it all means.
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The hardest state for a human being to sustain is that of open-endedness.
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Aldous Huxley wrote of Beethoven’s Benedictus in his exquisite meditation on why music enchants us so. But he could have well been writing about Ludwig van Beethoven (December 16, 1770–March 26, 1827) himself — a creator suffused with darkness yet animated by the benediction of light.
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“If you write what you yourself sincerely think and feel and are interested in,” Rachel Carson wrote as she contemplated the loneliness of creative work after her unexampled books about the sea made her one of the most beloved writers of her time, “you will interest other people.
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the poet Mary Oliver wrote in contemplating the artist’s task and the central commitment of the creative life, “are those who felt the call to creative work, who felt their own creative power restive and uprising, and gave to it neither power nor time.
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Long before there was the Internet, there was the commonplace book — a creative and intellectual ledger of fragmentary inspirations, which a writer would collect from other books and copy into a notebook, often alongside his or her reflections and riffs.
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It may be that creativity is just the name we give to how we awaken ourselves from the slumber of near-living.
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LifeSpan, a maker of fitness equipment, claims that a treadmill desk will boost my creativity. The company’s website, where I can purchase its basic model for $1,099, features an inspirational quote from Nietzsche: “All truly great thoughts are conceived while walking.
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Just before Christmas in 1977, the thirty-six-year-old Bob Dylan sat down for a long conversation with Jonathan Cott.
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