
We are makers of our own myths, but the more we live into them, the more we risk becoming their captives.
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We are makers of our own myths, but the more we live into them, the more we risk becoming their captives.
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When you love, truly love somebody, there is no version of reality in which what is good for them is bad for you, no choice they could possibly make that is right for them and wrong for you, nothing they could give you that could make love more complete.
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Margaret Wise Brown (May 23, 1910–November 13, 1952) lived her life on her own terms and died, far too young, kicking her leg up can-can style out of a hospital bed, leaving behind Goodnight Moon and Runaway Bunny and a hundred — hundred! — more beloved children’s books and some devastatingl
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We are living interludes, bookended between not yet and no more, each of us a random draw of the cosmic lottery, each allotted a sliver of spacetime in which to live out our lives as chance configurations of stardust suspended in time.
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Few things limit us more profoundly than our own beliefs about what we deserve, and few things liberate us more powerfully than daring to broaden our locus of possibility and self-permission for happiness.
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In this sixteenth year of The Marginalian, which draws primarily on the timeless wonders and wisdoms of the past, here are sixteen books of the immediate present that left on me a mark on par with those immortals — books that shimmer with the eternal and the universal, books bound to go on nourish
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From her stirring poetry to her timeless wisdom on love, loss, and creativity, beloved poet and feminist Adrienne Rich (May 16, 1929–March 27, 2012) endures as one of the most celebrated poets of the twentieth century, a remarkable woman of equal parts literary flair and political conviction.
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All societies are both the creators of their myths and are created by them. All artists are the makers and remakers of our myths of meaning — myths we co-create whenever we engage with art.
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Every year, monarch butterflies migrate thousands of miles from Canada to Mexico. Each passage takes three to four generations, and each generation manages to communicate to the next, without language as we know it, the direction and call of the journey as it dies.
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Just after the revolutionary work he recounted in Awakenings, Oliver Sacks wrote in a note to the music therapist at Beth Abraham Hospital: “Every disease is a music problem; every cure is a musical solution.
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