
“Once a poem is made available to the public, the right of interpretation belongs to the reader,” the teenage Sylvia Plath wrote to her mother upon the publication of her first tragic poem.
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“Once a poem is made available to the public, the right of interpretation belongs to the reader,” the teenage Sylvia Plath wrote to her mother upon the publication of her first tragic poem.
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It starts with a low hum that adheres itself to the underbelly of the hours like another dimension. Gradually, surreptitiously, the noise swells to a bellowing bass line, until it drowns out the symphony of life. It can last for days or months or entire seasons of being.
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In the high summer of 1977, 100 years after Thomas Edison devised the first technology for recording and reproducing sound, the Voyager reached the poetic gesture of its Golden Record into the cosmos, carrying the universal language of our species — a Navajo night chant and a Bach fugue, a millenn
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“Day by day I am approaching the goal which I apprehend but cannot describe,” Ludwig van Beethoven (December 16, 1770–March 26, 1827) wrote to his boyhood friend, rallying his own resilience as he began losing his hearing.
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In her 1942 book Philosophy in a New Key, the trailblazing philosopher Susanne Langer defined music as “a laboratory for feeling and time.” But perhaps it is the opposite, too — music may be the most beautiful experiment conducted in the laboratory of time.
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“I carry my thoughts about with me for a long time, sometimes a very long time, before I set them down,” Beethoven, having revolutionized music with his stubborn devotion to making unexampled sound, told a young composer in reflecting on the role of incubation in his creative process.
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Origin stories were kind of a thing this year. So was the anti-origin story movement, or rather, the conservative campaign to cancel any lessons about history dealing with slavery or decentering whiteness.
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Long before there was Yo-Yo Ma, there was Spanish Catalan cellist and conductor Pablo Casals (December 29, 1876–October 22, 1973), regarded by many as the greatest cellist of all time. The recipient of the Presidential Medal of Freedom and the U.N.
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Julia Perry (March 25, 1924–April 25, 1979) studied at Juilliard, studied in Paris, spent more than a decade composing a haunting opera based on the Salem witch trials, wrote an operatic ballet based on Oscar Wilde’s almost unbearably tender book The Selfish Giant and a stunning orchestral requi
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